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WST
- You are a veteran
songwriter, champion panorama arranger, and
accomplished musician. What’s different about
today’s so-called "pan tune" compared to 10 or 20
years ago?
Pelham
- First let’s thank
Mr. Ray
Holman for having the vision of writing music
[Pan On the Move] for
the instrument, although some people could not
understand and can’t deal with anything that is new
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and they will say Sparrow and Kitchener make music,
and that will be a ‘yes,’ but most bands had to
transpose to fit their range.
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WST
- 2009 Panorama was a strange year for Exodus. Have
you put 2009 behind you?
Pelham
- Yes, because there are new people in charge and no
[Pan Trinbago] President is going set up Exodus again, so things
will be back to normal.
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WST
- You are involved
with two songs this year that have very strong
messages - ‘Pan
In De Mas’ sung by David Rudder and ‘Two
Sticks in Meh Hand’ sung by Percil Nock-Boyce.
Do you think folks will get the messages, and/or
have already gotten them?
Pelham
- I have arranged and produced more than six pan songs
for the year but Pan In De Mas is a little special
because I have in my corner Mr. David Rudder, and the
song has been receiving some air play. It is also on
Facebook and YouTube and it will be played by
Exodus.
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WST
- 2010 is a big year for pan tunes. Are you happy
with the way things have been going thus far?
Pelham
- We have some good ones; they are well produced with
good melodic value and harmony. What the arrangers hear first is the melody, then
they will hear the chords, and also the lyrics are in
front - they will hear that last, so some producers
have to make sure they have the correct harmony.
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WST
- What is a pan tune from your perspective?
Pelham
- A pan song is a melody that fits the range of the
instrument without transposing;
it [the pan song] doesn’t have to say thing about pan.
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WST -
After the panorama season each year, what is your
focus, and what projects are you involved with?
Pelham -
After panorama, it’s back to what
I
do everyday: studio work. I have on my laptop some
calypso jazz arrangements of songs like “Life Is a
Stage” and others I started last summer in New York,
so I will complete it. Plus I want to start a school
at my home teaching people who want to read and
perform.
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WST -
What is next for Pelham Goddard?
Pelham
- At present I am performing again as Pelham Goddard
and Friends - and will withdraw myself from that
panorama in New York so I could build back my name
in the music industry.
More
on Pelham
Sample of songs written by P. Goddard:
“The Hammer, “Savannah
Party,” “Happy Song,” “Panama,” “Dedication,” “Play My
Music,” “The Unknown Band,” “The Band Plays On,” “Jungle
Fever,” “Calalloo” and “Calabash,” - all flowed
from the musical pen of Pelham Goddard. His synthesizer solo
on “Woman On The Bass” is just a ‘sample’ of his
synth work, being the first musician to use the synthesizer
in calypso music.
Other distinguished music works from Pelham Goddard:
“Is Mas,” “Family Affair,” “Tribute to the Old,” “Mister
Robbie,” “Trini Prance,” “The Plan,” “Suck Finger Baby,”
“Non-stop Fete,” “The Case of Disappearing Panyards,”
“Olympic Mas,” “Sunshine and You,” “Latin Soca,” “Outta
Hand,” “Soca Tassa Festival,” “Winer Girl,” “The Power and
the Glory,” “Jump Up,” “The Iron Band,” “Dust in Dey Face,”
“Rat Race,” “Simple Thing,” “Raise Yuh Foot,” “Jump for
Joy,” “Voodoo Soca Man,” “Jump Up,” “Honky Tonk Soca”
and “Parade.
Sample of songs
arranged/produced in studio by P. Goddard
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1977 - Tempo (Calypso Rose)
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1978 - Soca Jam (Calypso Rose)
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1980 - Soca Baptist (Superblue)
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1981 - Ethel (Superblue)
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1983 - Rebecca (Superblue)
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1988 - Dis Party is It (Chris ‘Tambu’
Herbert)
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1989 - Free Up, Free Up (Chris
‘Tambu’ Herbert)
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1989 - The Journey (Chris ‘Tambu’
Herbert)
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1990 - No, No, We Eh Goin’ Home
(Chris ‘Tambu’ Herbert)
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1986 - Bahia Girl (David Rudder)
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1992 - Wine on Something (Superblue)
Contact Pelham Goddard
More on Pelham Goddard
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