TASPO | Sterling Betancourt | The 1951 Festival of Britain
From the BBC2 documentary ‘The 1951 Festival of Britain - A Brave New World’ broadcast on Saturday 24 September 2011
London, United Kingdom - Sterling Betancourt MBE talks about his experience of performing at the 1951 Festival of Britain with Trinidad All Steel Percussion Orchestra (TASPO). This clip shows rare, live footage of TASPO’s performance.
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- Comment by Claire Charles on April 9, 2013 at 5:04pm
Nice pan history
- Comment by terry on January 26, 2012 at 4:16pm
A 7" 4-track recording exists: Trinidad All Steel Percussion Band (1951) JEP 3011.
Go Way Gal
Coolie Man's House
Papito Ramadin I am still trying to acquire this item.
- Comment by Ann on January 26, 2012 at 2:06pm
Looking good Sterling!!
- Comment by Megan Francis Carrington on January 26, 2012 at 11:36am
Great history of pan.
- Comment by Rum-Pan on January 26, 2012 at 7:07am
Great historical-reportage. So many Thanks, also!!!!
- Comment by Willelmina Joseph-Loewenthal on January 26, 2012 at 5:38am
I loved watching this. Thanks!
- Comment by Michaele on January 25, 2012 at 6:28pm
WOW ! Thanks!
- Comment by Ian Franklin on October 8, 2011 at 2:30pm
Can someone educate me as to who from the players of T.A.S.P.O. were not or never became a pan tuner.
The three remaining members, Mr. Sterling Betancourt, Mr. Anthony Williams and Mr. Ellie Mannette are all known pan tuners. I knew that Mr. Winston "Spree" Simon and Mr. THeo Stephens were tuners. Were the following members also tuners?
Mr. Belgrave Bonaparte, Mr. Philmore "Boots" Davidson, Mr. De Andrew "Pan" Labastide, Mr. Orman "Patsy" Haynes and Mr. DudleySmith. Please respond to my E. Mail (firstname.lastname@example.org) Thanks
- Comment by Steve "Carter" K. on October 8, 2011 at 1:11pm
Whilst these performances by TASPO in 1951 at the Festival of Britian was magnificent and Ground Breaking , I would like to draw your attention by an article written by John Schmidt on the site " Welcome to e Caroh Caribbean Emporium " in which he states that he acquired recordings of the Casablanca SteelBand done in Trinidad in1947 and that some of these players performed at the West Indian Day Parade in NY USA in 1947 . It's a very interesting article so check it out for it indicates that recordings of Steel Bands were done from the early 1940's. Thanks.
- Comment by Steve "Carter" K. on October 5, 2011 at 11:34am
GRJ . Please post the music of TASPO as many of us are anxious to hear them play . TASPO's performance in Britain was a Major Highlight in the development of Pan and Pan Music. Thanks
Comment by Glenroy R Joseph on October 5, 2011 at 10:59am
Now I know I'm really old!!!
I actually remember the tunes being played by the band!
The first one (just after the hideous, racist picture) was "We wan't Ramadhin on de ball" by King Radio.
Nice arrangement, too!
This was a calypso celebrating the greatest West Indian spin bowler to ever come out of Trinidad and Tobago, Sonny Ramadhin.
1950 was the year that a West Indies cricket team including such legends as the "Three W's", Ramadhin and Valentine and others beat the English team in their backyard at Lords for the first time in history.
I remember that victory being celebrated on the streets at carnival in 1951.
I also remember the second tune, but I've forgotten its name
- Comment by Pan'tum - The Ghost Who Talks on October 5, 2011 at 8:16am
If you are mentioning TASPO, and your account does not include the name of George "Sonny" Goddard, then you (obviously) do not know to whom the credit should be given. As such, I repost:
This is the TRUE account as to how "Operation Britain" came about, and although Sir Hubert Rance should be credited for his support and patronage, TASPO was not a creation of this former Governor's "recommendations", and the credit should be re-directed to the proper party/parties. What is interesting to note, is that this "operation" coincided with George "Sonny" Goddard's first official post, as Vice-secretary of the (then) Steelbands Association (c. April, 1950). On the invitation of Invaders' Ellie Mannette (Invaders' captain) and Clarence Gulston (Invaders' secretary), George attended a series of meetings, and the result was the forming of the association. The other officials elected at that meeting were Sydney Gollop (President), Nathaniel Crichlow (Vice-president), Sonny Harewood (Secretary), and Carlton Bidhi (Treasurer). Coincidentally, the first recital they held was partly to raise funds to assist Spree Simon, who had been shot (George's book says it was an "accident"), according to recent information I received from Kim Johnson (author and journalist). These former executive members (GOLLOP, CRICHLOW, HAREWOOD, GODDARD, and BIDHI) are the ones truly deserving of the credit, and the evidence shows why.
According to Goddard (in his book), as early as "late in 1950 or...early...1951, on hearing of the Festival of Britain (planned for August 1951), the association believed that "Trinidad and Tobago should present steelband music at the Festival", and solicited the government for financial assistance ($6,000 TTD) for sending a "representative steelband". The government denied their request, stating that their "application was a bit too late" The Trinidad Guardian, on April 13, 1951 (long before the governor's alleged July 1951 "recommendations") reported that the government's "financing of the local team to the Pan American Olympics has exhausted the money for these purposes". The association then decided to raise the funds on its own, and a "nember of sub-committees were set up". During that time, Albert Gomes was a die-hard supporter from "day one", and POS Mayor, Raymond Hamel-Smith made a public "appeal for $7000" (Trinidad Guardian. April 25, 1951). That target was later reset to $15,000 (Sunday Guardian, May 6, 1951) One of the sub-committees the association formed, was headed by Canon Farquhar, and Wilson Marshall, Carlyle Kerr, Lennox Pierre, and Ulric Nesbitt were members of that committee, and these persons also deserve the credit and recognition. Also deserving honor, are the Bermudez Buscuit Company also donated "one dozen steel drums", and well-known tailor, Fitz Blackman "offered to tailor, free of charge, the uniforms..." (Trinidad Guardian. May 3, 1951)
It was in keeping with their fund-raising efforts, that Sir Hurbert Rance, in a brochure the association put out, entitled "Operation Britain", posted a message of support, but he was not the only one, as Albert Gomes, Canon Farquhar, and Roy Joseph, also posted messages. (Trinidad Guardian. May 29, 1951) Interestingly, there was also foreign support from the (then) Mayor of New Orleans, Lesseps Morrison (Trinidad Guardian. June 13, 1951), as well as the "local press". By mid-June, the T & T Tourist Board would "promise to contribute $500...on the condition that the campaign must reach thetarget of $15,000". (Trinidad Guardian. June 21, 1951). Others "chipping in" included Lt. Brian Gething (the Governor's Aide-de-Camp), Mr. Winfield Scott, R. J. Shannon, Edward Lee Lum, the Hon. Stephen Maharaj, E. J. Clovis,, and T. A. Telemaque, and the Hemisphere Club of Barataria. Canon Farquahar also pointed praise to persons such as P.M. Renison, W. minshall, Sir Gerald Wright, Mrs. Mahanna Hathaway, Lt. Griffith (the musical director), and the Montano bro
- Comment by Hameed Shaqq on October 1, 2011 at 11:53pm
TASPO presentation in London in 1951, was the most meaningful presentation to the World of Music. They presented the Birth of a New Orchestra in the form of a steelband from Trinidad. Steelbands Orchestras were ready to take their seats with the family of musical instruments now alongside the traditional woodwinds, strings etc. The Steelband is the only independent Orchestra created in modern human history and today, is sweeping across the world.