Legendary panist Robert Greenidge speaks on the Rudolph Charles version and origin of the Triple-Second steelpan

History of Pan - Desperadoes

A When Steel Talks Exclusive


“About the triple-second; yes, Rudolph came up with the Idea when we wanted to extend the range of the double seconds so we could get lower notes. But he went even further, and came up with the Quadrophonics using four drums and even a wider range, to play melodies and harmonies. So that took the place of the triple-second. Even though I still have my set and use them when I am doing recording sessions. I think D’Radoes uses them; also Despers in NY - But Desperadoes in Trini does not use them.

“Rudolph was always a creative person searching for sounds on the steel pans: Triple, Quads, Six pans, Tenor Bass, Nine Bass and the Twelve Bass. There used to be a Triple cellos, that bands used to use - which Rudolph used to play in Despers before taking over the band.  I think that give him the idea to come up with the triple-second. The Triple cellos was Ellie Mannette’s creation.

“That’s what I remember.” - Robert Greenidge

Trinidad & Tobago, W.I. - The triple-second was never featured in Desperadoes Steel Orchestra. Nevertheless, it is one of the signature voices and achievements of the late, great Rudolph Charles. The instrument was a personal favorite of the late, great Grammy award-winner Ralph MacDonald. It was featured often with Robert Greenidge playing it on MacDonald’s albums.

Robert Greenidge on Triple-second made by Rudolph Charles


 

Robert Greenidge with his Triple-second
Robert Greenidge with his Triple-second

 

Robert Greenidge on Triple-second made by Rudolph Charles
Robert Greenidge on Triple-second made by Rudolph Charles


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