Steelband Pioneer & Arranger Junior Pouchet Remembered: Eulogy
A When Steel Talks Exclusive
Junior Pouchet - (image courtesy Mark Loquan)
Global - Since I spoke with Les Slater this morning about the passing of Junior Pouchet, related to me by his family in Orlando, I’ve been playing Silver Stars’ double CD, 27 cuts by Junior’s band and nine by his brother Edwin’s. Their playlist has never sounded finer or resonated deeper.
I cooked up some split peas and rice and curried chicken with potato.
That’s how I honored Junior Pouchet. I also called Edwin in Trinidad to offer condolences but the person who answered said he wasn’t speaking with anyone. However, she said the family very much appreciated a piece I wrote the week before the 2012 Carnival (Feb. 12) - A Tale of Two Brothers and Their Band.
This is not normal behavior for me - death and funerals. But Junior was in the foxhole with both Les and me during those musical salvos (Bombs) on J’Ouvert in the late 50s and early 60s.
My mind keeps harking back to an afternoon two weeks ago when he called to thank me for the story. After some small talk about Pan, he came off playful and happy while mouth-panning the gems orchestrated by other bands in the era, including Crossfire’s On a Another Night Like This, Highlanders’ and Slater’s Waltz from the Opera Faust, Cordell Barbour’s Night and Day (City Symphony), among others, including a few by All Stars. We spoke about those heady times for an hour. How he was trying to recruit me to join his band while I was still in school. (I’d always tell him, once a Trinidad All Stars always an All Stars.) How he swung his band down Charlotte Street just so he’d leave his mark there, even though we’d be doing our own thing downtown.
“It wouldn’t have been right if we didn’t drop our Bomb in front of Maple Leaf Club (and the Garret or attic, where the band rehearsed),” he said. “That was our moment to shine.”
It was as though he had opened up his heart that afternoon for a brother, because we’ve always been brothers - in the same hole.
“Pouchet was no unsung hero. He was the real thing - a tough competitor. A great steel band man. We always had to worry about what he was coming with - his next “Bomb.” His music. Always.”
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*** Related content: Junior and Edwin Pouchet of Silver Stars Steel Orchestra - A Retrospective
Dalton Narine watched a movie among friends and was harassed for watching the credits roll. He was 12. They laughed at his quip that someday his name would be scrolling like that on a movie screen somewhere. Little did they know it was a prescient warning.
A similar scene played when Narine stopped learning the piano and walked into a panyard. Nobody believed him until they saw him playing classical music on pan on J’Ouvert. Eventually Narine co-founded the iconic PAN magazine and became senior editor.
Narine, an award-winning writer for two newspapers and a magazine, started working on a novel. But the chair of Columbia University film school steered him toward a screenplay instead. Your story is a movie, the professor said. Today Narine is working on his final draft, with two more screenplays in his head.
contact Dalton Narine at: firstname.lastname@example.org