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New York - CASYM (Caribbean
American Sports & Cultural Youth Movement, Inc.) hosted more than
three hours of great entertainment for the season under the
leadership of long-time arranger Arddin Herbert, with their third
Annual Christmas “Carols & Classics” Concert at the Brooklyn Museum,
in Brooklyn, New York. For those who were savvy enough to put
the weekend event in their calendar, they came out winners all the
way. As one attendee was overheard commenting after the show
“I didn’t intend to come. I was not coming at all.
But I am so glad I made the effort! It was fantastic!” The
lady in question was merely giving voice to what surely must have
been on the lips and in the minds of others who took in the concert.
CASYM
Steel Orchestra is better known to the steelband world as one of the
most visual and traveled bands around. They are also the 2006
New York Panorama champions. But, many of those youngsters who
grew up as musicians in CASYM, are now music teachers and
educational instructors in their own right - in addition to
remaining active with the orchestra. And they are giving back
to and retain linkages with the parent body - CASYM Inc. Their
music program can be found in several schools within Brooklyn, and
the orchestra itself has a ‘nursery’ of upcoming steel pannists.
These young CASYMites, in Classes I
(pictured) and II starred
in “Carols & Classics” alongside their accomplished and bigger CASYM
steel orchestra ‘brothers and sisters.’
The
concert opened with the US anthem featuring CASYM veterans
(pictured) Curtis Lynch on
drums, band captain Travis Roberts on double seconds, and Anthony
Lewis on six-bass. Founder William Jones addressed the
audience next, thanking them for supporting the concert series for
yet another year, and asking for their continued assistance,
especially given the orchestra’s current travails. He
mentioned the resiliency of CASYM as an organization, pointing to
the present crisis of the orchestra after being thrown out of their
‘gratis’ practice space of more than twenty years on church
property, by a Brooklyn Roman Catholic Church after a change in
administration and the arrival of a new priest on the scene.
Akia
Extavour delivered one of the two spoken word items for the evening.
CASYM’s Class I delighted parents and other audience members with
their Christmas selections. The young Parang Soca dancers
(pictured) were
eye-catching in their seasonal red attire when they took the stage.
That the adults were thrilled was an understatement - judging from
the number of cameras and camcorders that appeared - with their
respective offspring in the spotlight. There was one more
dance number for the evening featuring Kara Neptune.
‘Santa,’
who was a hit at last year’s concert,
returned and again did a superb job as master of ceremonies for the
show. No, that did not leave Santa
(pictured) any time to
give out presents. He was far too taken up being a hilarious
and tasteful MC for the duration of the evening, having the audience
in stitches at every turn. Christmas will never be the same,
though, for some of the boys and girls who came up to tell him what
they wanted for Christmas. His witty comments to their ‘wants’
provoked side-splitting laughter from the audience. One could
only imagine what the children thought. Santa was particularly proud
to introduce one young man, Jaeden, as the next ‘President of the
United States of America’ - it was his wish, after
all...
Presentations
of clocks in the image and mold of steelpans to congresswoman-elect
Yvette Clarke, a long-time supporter of the steelpan artform in
Brooklyn and in particular of CASYM, and to her mother, former New
York councilmember Dr. Una Clarke
(pictured), were made by William Jones. After their
remarks of thanks, the ladies were both fabulously serenaded by
Samuel Clarke (no relation); he performed one additional selection
before intermission.
It
was then the turn of CASYM Class II on stage, and like their
predecessors - Class I - they stole the hearts of the crowd.
When a young Kyle Frederick
(pictured) left his guitar pans and donned a black jacket
and red hat, and took center stage with his band mates backing him,
the crowd swooned as he charmingly delivered a steelpan-customized
version of the classic Christmas calypso ditty Listen Mama,
dedicated to William Jones. A very nice touch by CASYM was to
have various youngsters of Classes I and II not only introduce the
selections to be played, but also share with their eager audience
who they were, and more importantly, how long they had been playing
the instrument.
CASYM’s
stageside steel orchestra
(pictured) was the closing act, initially attired in
formal wear. Under the baton of resident arranger Arddin
Herbert, they launched into an arresting and dramatic classical
performance of Prelude to Carmen. At the end, the
audience responded to the orchestra with repeated rounds of
applause. Another well-received selection was Just
The Two Of Us with solos by Natalie, and Mustapha Alexander
who engaged in a ‘call and response’ exhibition of steelpan talent.
And the audience again unhesitatingly and resoundingly showed their
appreciation. CASYM also included combinations of vocals and
steel in their repertoire, both with the full band, and also
featuring a duet between Arddin Herbert on double seconds and one
vocalist singing One Moment In Time.
Playing a few selections from their CD D’Blueprint,
CASYM also made sure that the audience was in the holiday mood.
Their closing number was probably what many were awaiting since they
took the stage - the group’s winning panorama arrangement of This
One’s For U, Bradley.
The concert proudly showcased the fruits of CASYM’s work within the
community and their interaction with its young people throughout the
year, as well as their own well-maintained standards. For 2006
the musical organization gave another great annual Christmas
Concert for New Yorkers to enjoy.
Basement
Press Corp
©2006 When Steel Talks - All Rights Reserved
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