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You are
listening to Pan Rebels as captured by
Basement Recordings live outside their yard. |
In the
late 80's a group of young, innovative, progressive,
talented and rebellious steelpan musicians known as Pan
Rebels left their mark on New York pan as no other has.
In many respects
Pan Rebels' birth signaled the dawning of the new and
current age in the New York pan music continuum. Pan In New
York was going to become primarily a youth movement. New
ideas, interest and people would become critical components
of the New York pan scene. And Pan Rebels was always at the
forefront - trying new things although they are not
always the ones who received the credit when it became
popular. It is not surprising that Pan Rebels started the
now-famous New York J'Ouvert celebrations.
Simultaneously, a young group of New York electrical and
broadcasting engineers known as Basement Recordings were
also experimenting and working closely with Yamaha
Corporation of America - who recognized their brilliance
immediately - to fine tune its digital recording technology.
Yamaha provided Basement Recordings with one of it's
then-unreleased 24-bit digital recorders to test and make
recommendations. The unit was then known as the DMR8, and would become the corner stone on which all future Yamaha
digital recordings technology would be based. As faith or
luck would have it, many of the engineers at Basement
Recordings were also pan musicians. Even before the
introduction of the DMR8, Basement Recordings was light years
ahead of any other group or production team in terms of
producing quality steelband recordings. Since the mid-80's
they had already developed a technique they labeled as the
'box and one' specifically designed for the steel orchestra. It
received rave reviews and write ups in many of the
broadcasting and professional audio journals.
click to see (Recording Techniques for the Steel Orchestra)
Now armed with this digital recording goliath - that was in
many ways way ahead of its time - Basement now had the tools
to capture the full dynamic range of the steel orchestra
without compromise. Moreover they were committed to
producing outstanding recordings that could stand next to any great
music productions regardless of genre - and showcase the greatness of the
'Boogsies' and 'Bradleys,' with any of their
contemporaries.
In Pan Rebels, Basement Recordings found kindred sprits -
young musicians who were not tied to conventionality -
furthermore they were not afraid of the presence of
technology. Add the great Len "Boogsie" Sharpe, the ultimate
unconventional arranger and what you got was magic. Basement
Recordings always looked forward to recording Pan Rebels
steel orchestra. They were young people; they understood the
power and importance of recording and immortalizing their
music works/material. As a matter of fact the band's
management viewed Basement's recording them as a critical
part of their panorama season. World-renowned arranger Len
'Boogsie' Sharpe was perfect as he supported, encouraged and
understood what Basement and Pan Rebels were undertaking. Interestingly
enough Basement's and Len 'Boogsie' Sharpe's paths would
cross many times in other professional arenas in the future
- of particular note would be their coming together with
legendary master drummer Max Roach on future recording
projects.
Th e Pan Rebels - Basement Recordings collaborations produced
many recording gems that featured prominent arrangers like
Garvin Blake and Pelham Goddard in addition to Len 'Boogsie'
Sharpe. Even though the orchestra has been inactive since
2002 - with their musical works and contributions to the New
York Steelband music scene, while spearheaded by the dynamic
trio of Anthony 'Pra' Trebuse, Gary Rogers and Michelle
Williams - Pan Rebels remains a New York steelband fixture.
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