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Halcyon on stage for the
25-A-Side competition at Moods of Pan
2008 |
Antigua & Barbuda,
W.I. -
There was much anticipation emanating
from the crowd gathered for the unveiling of the newest
element of the annual Moods of Pan (MOP) festival in
Antigua, celebrating its tenth anniversary this year. The
‘25-A-Side’ competition promised to be a treat for steelpan
music connoisseurs.
Apart from the annually invited stage
side steel orchestra from beyond the shores of Antigua and
Barbuda, MOP hosts Gemonites, and perhaps the additional
band featured during the three-day festival - there has not previously
been a niche opportunity for pan lovers to really feast on
the music of multiple bands - of even twenty-five or so
steelband musicians - in ‘concert’ during the three-night
festival. Outside of the annual Panorama festival for
Antigua and Barbuda steelbands, there has not been another
platform affording contingents of any considerable size to
come together and perform in a competitive, or even
showcase, arena.
But for 2008, that all changed; the
‘25-A-Side’ competition would slake both thirsts. This event
has been conceptualized with a mandate for celebrating the
best of Antigua and Barbuda’s steel orchestras, in addition
to and outside of their panorama format – which could, on
occasion even see an orchestra amassing one hundred
thirty-plus steelband musicians. The latest variation in the
MOP festival format had been eagerly awaited by the crowd
and the orchestras themselves – and on this night, that wait
was over.
Of the eight orchestras originally scheduled to participate,
six eventually took the stage: Ebonites, Gemonites, Halcyon,
Hell’s Gate (pictured right), the National Youth Pan Orchestra and Panache.
Harmonites Steel Orchestra bowed out because of the
unexpected passing of one of their veteran/core members,
Leroy “Jughead” Gordon.
When Steel Talks
would have loved if somehow Harmonites
had still taken the stage and delivered
the selection they had prepared to
compete with in the competition,
Yesterday. The band played this ‘on
the road’ in honor of Gordon, and as
part of the funerary procession on its
way to the church. And that consistent
‘road performance’ was indeed a
pore-raising experience.
Given that the event was subsequently renamed and
unveiled in honor of Gordon - “The Cool & Smooth Gemonites
Moods of Pan 2008 Leroy “Jughead” Gordon 25-A-Side Steelband
competition” - When Steel Talks is of the
humble opinion that it would have been marvelous had
Harmonites still take the stage in memory of the cultural
heavyweight, performing Yesterday. If you were not on the
streets as the orchestra rolled past, you missed out on a
unique musical experience. That being said, not for one
moment did the six orchestras who did participate, turn in
anything but what appeared to be their respective best
performances for the evening.
The When Steel Talks crew was ferried to the performance
venue at Deanery Grounds with just enough time to catch part
of the first band – which was the stage side representation
of Halcyon Steel Orchestra, reigning Panorama champions – on
stage. They had already begun what would be their five
to six minute rendition of Fitzroy “Blaykie” Phillip’s
arrangement of How Great Thou Art. Halcyon evoked strong memories of MOP’s ‘Gospel
Night on Pan’
two years ago, striking familiar chords and taking firm hold
of the hearts of the more spiritually-minded in the
audience, as the band moved through their paces on stage.
The crowd on hand was beginning to get into the show after
about a forty-minute later-than-scheduled start, and clearly
showed their appreciation for Halcyon’s steelpan musicians,
applauding for the latter and in anticipation of what was
yet to come. Halcyon was followed by Hell’s Gate, Panache,
Antigua and Barbuda National Youth Pan Orchestra, Gemonites
and Ebonites.
Last year’s MOP show openers and 2007 Antigua and Barbuda
National Panorama champions Hell’s Gate, known as the oldest
steel orchestra in the world, owned the stage next when they
rendered Blue Moon as arranged by Veron Henry.
They were determined to make a showing good enough to be
judged best of the night.
The eventual winners
(pictured left), the National
Youth Pan Orchestra, had the audience in wonder, looking at
them wide-eyed, while exclaiming at points of emphasis in
their performance. The crowd’s reaction was partially, of
course, because the group turned in a first rate
performance. As the youths left the stage, a Panache
musician could be heard commending the work of the
orchestra. But the other side of the audience reaction was
that many had underestimated the drive and skill of the
competition’s youngest participants, and had been somewhat
unprepared for the deliverable based on the combined work of
young eighteen-year old arranger Khan Cordice and the band’s
execution of his arrangement of Stevie Wonder’s Sir Duke.
Second place winners Panache also gave
a great account of themselves with a Robin “Schwarp”
Margetson arrangement of Perfidia. Formed in 2007, the
orchestra has been growing from strength to strength, and
their placing in the 25-A-Side competition was yet another
notch of note in their burgeoning reputation.
Ebonites, playing I Who Have Nothing as arranged by
Aubrey “Lacu” Samuel in sixth position, left a memorable
impression on the judges which saw them going home with
third place bragging rights. The band had stepped up its
game even from the night before the competition. When Steel
Talks had been on a whirlwind panyard tour arranged by the
festival organizers and Ebonites was one of the groups they
had taken in.
Gemonites
(pictured right) reminded all present, that though in the present
setting they were first and foremost organizers of the MOP
festival and as such were sporting a variety of different
hats - they were nonetheless in the ‘running,’ and turned in
an adequate performance for the evening with Patrick “Stone”
Johnson’s arrangement of Kool & the
Gang's Cherish. Just over the past
year, several of Gemonites’ veteran players got together and
founded what is now Panache. Since then, Gemonites has
continued nurturing and bringing into their ranks younger
pan players, several who were part of the band that took the
stage.
While it was a certainty that the orchestras enjoyed the
opportunity to shine while delivering their performance
pieces, it was additionally obvious that many of the younger
musicians were having the most fun at the venue and on
stage. Several of course were part of the youngest
aggregation,
the National Youth Pan Orchestra, and
simultaneously members of the other five competing bands. From their demeanor on and off stage, it was evident that
their allegiance for the steel pan artform was first up,
with their respective band affiliations respectfully running
an exceptionally close second. Whether playing as part of
the Youth orchestra or the other bands, the youth complement
showed their passion for pan all night long.
In addition to having front row seats and being privy to
some really good steel orchestras, adjudicators
(pictured above, at table) Julien
Lawrence, Marion Byron and Victor N. Prescod - along with
statistician Ivan Michael - were also tasked with
competently and fairly deciding on the night’s best
performances.
And one of the best and most approachable Heads of State
around, the Honorable Baldwin
Spencer, Prime Minister of Antigua and Barbuda
- a ‘panman’
himself - was on hand to take in the steelband music. In the
company of his equally congenial Tourism and Civil Aviation
Minister Harold Lovell and several others, the Prime
Minister
(pictured at right, and with H. Lovell to his
right),
enjoyed the atmosphere of the fine evening and the
steelband performances.
The results, when they became available, were delivered by
the show’s master of ceremonies – one of the country’s
popular radio personalities - James “Sly J” Simon of Liberty
Radio. As representatives from each of the six orchestras
stood by at the ready on stage, it was time to recognize the
best orchestras of the night with trophies and cash purses -
for the three top bands (Antigua & Barbuda National Youth
Pan Orchestra, Panache and Ebonites in that order) - EC$
10,000.00, EC$ 8,000 and EC$6,000 respectively, while the
runners-up (Gemonites, Halcyon and Hell’s Gate – in no
particular order), were awarded EC$ 3,000 each.
Mrs. Curlita Gordon, widow of Leroy “Jughead” Gordon,
honored the winners, the National Youth Pan Orchestra, by
making the presentation of both the trophy and prize money
to the band’s arranger, Khan Cordice, in her husband’s
memory.
But the music was not over for the night just yet.
El-A-Kru aka L.A. Crew (Little
Antigua Crew), a smoking hot, high-energy live Antigua band
known up and down the Caribbean circuit, took to the
adjacent stage and closed off the evening with a mixture of
soca and R&B hits that went down well with the mainly
youthful contingent (pictured left) in front the stage; they
enthusiastically followed the vocal directions of the
group’s female lead singer Tanzania “Tizzy” Sebastian.
Sebastian was firmly anchored by band mates including Glenroy “Zamba” Richards and El-A-Kru founder and leader
Rohan “Sylky” Hector.
Undoubtedly for MOP 11, the ‘25-A-Side’ competition will be
taken to an even higher level, as participants come
determined - and probably good-naturedly – to put the
‘Youth’ in check, and prevent them from running off with top
honors again in 2009. There would be no underestimating
them in future meets.
Moods of Pan organizers have indicated that without a doubt
they believe they have identified the successful formula for
the opening Friday night slot of the critically-acclaimed
MOP fest. The 25-A-Side element is a “keeper,” showcasing
the best of Antigua & Barbuda pan outside the Panorama
season, while revitalizing the country’s steelband culture
in what is traditionally an off-peak season.
There are winners all around for this one – the steelband
music culture, the steelpan musicians, MOP organizers, and
last but not least, the national, regional and international
audiences who should bookmark their calendars now, to be
present at MOP 11 in Antigua and Barbuda at the end of
November 2009.
Moods Of Pan
25-A-Side - In Pictures