Verse 1 After taking
this ride - on the PP 99 She
dance the flag woman - the bump and
the grind Innocent and sweet - he
pursued with vigor She swept him
off his feet – he never surrender
(no) For 2 whole years – he blaze
the trail When she was 21 – he
didn’t decide to fail
Chorus
He park the PP in she
Rainorama She dance the zigwah – to the manima He park the
PP in she Rainorama
This love of fire – give him the
jitter She bump and wine – jump
and grind -in a sexy motion He
move he waist - in a haste – ready
for action So she give the thing
- the doctor order – no longer was
shy She sugar bum bum had him
bawling out – aye ya ya ya ya ya
He park the PP in she Rainorama
This love of pleasure – brought
three sons & daughter
Verse 2 The car was a right hand drive –
majestic and strong People use to
gather round – when they come to
town Don’t talk ’bout them women
– always want a ride But he never
went no where – without her at his
side Every step she make – he
make one too Was love at first
sight – hear what I am telling you
Chorus
Verse 3
He say he go park he – PP any place And if the police come – the wrecker
go get a taste Well out of the blues
– this queen bee arrive She were the
one he choose – he use to take her
for drive They drove up and down –
and round and round Till they conceive four children on
Diego Martin ground
Winston Scarborough
is considered by many
to be one of the all-time
great composers of steelband
‘panorama tunes.’
A performer artiste
himself, 2011 will mark
the 33rd
year that Trinidad &
Tobago’s Winston Scarborough
(The Original DeFosto
Himself - as he
loves to be called)
has been singing calypsos.
For him it was an uphill
struggle to be recognized
by the fraternity and
public at large.
Abandoned by both his
parents at the young
age of 6 months, Scarborough
was sent to the Tacarigua
Orphanage in east Trinidad
where he remained until
age 17. The experience
in the orphanage would
place an indelible stamp
on him.
One of the most important
aspects of DeFosto’s
work as a calypsonian
is the tributes he has
paid in song to many
of Trinidad & Tobago’s
cultural icons; the
late Lord Kitchener
(calypsonian Aldwyn
Roberts) would be one
such with whom people
are most familiar.
