Watch an
exclusive
interview
with
Akini
Gill
Global -
When he
lands in his
native land
of Trinidad
and Tobago
there will
be no bands
playing, no
prime
minister, no
entourage of
grinning
politicians,
hordes of media
scoundrels
and/or
screaming
fans similar
to that
witnessed
when
Trinidad and
Tobago’s
2014 Olympic
team
returned.
But there
should be -
such is the
greatness of
his
accomplishments.
Akini
Anthony
Gill
It’s a
Christmas
Story, It’s
a Wonderful
Life,
It’s a Tale
of Two
Cities, all
wrapped into
one - but
mostly it’s
a tale of an
improbable
journey. A
life’s
journey that
began in
East Dry
River,
Port-of-Spain,
on the
island of
Trinidad
with its
uncertain
narrative,
and
navigates up
to and
through
great halls
of learning
at
NYU (New
York
University)
with
boundless
promise and
distinction.
But like the
steelpan
instrument’s
indomitable
“spirit” and
implausible
existence -
Akini serves
as a
reminder
that genius,
brilliance,
and that
true
authentic
intellectual
spark
- can
and often
will be
found where
you least
expect it.
And in no
small
contribution,
the power of
the steelpan
instrument.
This past
week, Akini
Gill
successfully
defended his
MA Master’s
degree in
Music
Education
thesis topic
entitled; “Teaching
Music to
Children
with
Learning
Disabilities
in Trinidad
and Tobago”
at New York
University.
In fact, if
the truth be
told, Akini
didn’t just
defend his
thesis. He
was told it
was one of
the best
ever Master
of Arts in
Music
Education
thesis oral
presentations
at NYU. And
this
accolade is
from a place
where
greatness is
in no short
supply.
With
obstacles
upon
obstacles
mounted against him,
Akini Gill
has emerged
confident,
victorious
and
vindicated
against a
system,
culture and
even to a
great
extent - his
own country.
Moreover,
Akini
continues to
exude this
honest
concern for
his fellow
man.
With
countless
naysayers,
doubters and
blockers
in Akini’s
path - this
narrative
almost
didn’t
happen. And
like in the
movie “It’s A
Wonderful Life” the
future would
be so much
different.
But with
hard work,
perseverance
and
believing in
one’s self and
the
support of
others,
Akini has
succeeded.
Akini speaks
fondly of
the open
acceptance,
and support
NYU has
extended him.
“I got more
encouragement
from NYU...
and it
helped me to
grow... They
took the
opportunity
to learn
from me and
I learned
from
them...”
Indeed both
parties learned
from each
other.
Akini brings
a special
sensitivity
into the
field of
music
education.
As for the
steelpan -
Akini does
not believe
that “Just
because you
are an
arranger or
composer for
the steelpan
justifies
you to go
into the
classroom
and teach
music...
what we need
to do as a
body, as a
group is to
see how we
can educate
children
through the
steelpan...
we need to
understand
the
distinction
between
training and
educating...
when the
instrument
goes into
the
classroom it
is about
teaching...
teaching is
something
where you’re
touching
people’s
lives in a
classroom...
so you have
to reflect,
you have to
be an
example, you
can damage
the
student...”
In this UpClose
When Steel
Talks
exclusive
interview,
here is
Akini
Anthony
Gill’s
story in his
own words.
There is
absolutely
no doubt he
is going to
make
difference....