While each song captures a different mood, all provide good 
            listening.   Colours 
            will expand 
            the musical and sonic horizons of listeners.  Indeed the 
            introduction of the steelpan 
            with non- cliché like Caribbean lines 
            frees the instrument and player (Junior Gill) to take on greater 
            meaning and expression, and thereby contributes greatly to the freshness of the 
            musical concepts and voicing of the pan.  Steel Pan player Junior Gill has great 
            command of the instrument and brings a new voice like the 
            synthesizer to the jazz fusion 
            tapestry, that has not been visited since the days of Return To Ever 
            and Weather Report.
            The Steelpan is an integral part of 
            the sound of Culturemix, as much as the distinctive sound of Billy 
            Cobham drumming.  While always clearly in charge, Cobham is a 
            not afraid to share the spotlight long and often with the members of 
            Culturemix on  Colours.  The result is an artistic masterpiece of authentic JAZZ Fusion -- with a realistic taste of the 
            Afro-Caribbean experience always right around the corner when 
            desired.
            
, 
            the culmination of Cobham's vision, band leadership, writing and 
            production, assembled musicians from all over the world to form 
            Culturemix. The ten-track recording is a colorful blend of ambient 
            music, funky and smooth soul-jazz and blistering rock fusion. It 
            features, as he himself says, the "shared concepts" of these 
            musicians. 
            The opener, Cuba On The Horizon, is a film 
            score-like jam that features Cobham's command, dexterity and ability 
            to funk like few have ever. The soul-jazz tune features a soaring 
            rock guitar and steelpan melody, combined with Marcos Ubeda's playful 
            keyboard lines. 
            The second track is  Desiccated Coconuts, which 
            features the soulfulness of 
            Junior Gill as he solos on the tenor 
            pan.  There is a playful blend of Rock/Funk/Jazz genres as the 
            band moves into a reggae-filled interlude with steelpan riding 
            shotgun. But there’s no time to relax, as listeners will be happily 
            jolted out of their comfort zone by the funk/rock-oriented fiery mix of 
            percussion and rock lead guitar, but always returning to its 
            rock/funk base.  
            Culturemix gives you a choice of rocking your 
            head, snapping your fingers or getting up and dancing.  Serious 
            stuff.
            Volcano swings and rocks from top to bottom while 
            overdriven guitar and steelpan double on melody lines giving a new 
            and never-before-heard voice and statement.  Although, this was 
            recorded in a studio the track has the energy of a live performance.  
            Indeed the musicians sound like they are at a monstrous jam session 
            and having a blast.
            The next track is a favorite, Where Do We Go From Here, 
            a pretty melodic piece featuring the steelpan and keyboards, and 
            rides on top classic calypso rhythms.
            CARA MIA is a blues-jazz ballad that involves a relaxed 
            melody and bass solo that is contrasted by Cobham's colorful drum 
            and cymbal work. 
            Moscow Meeting - 
            Culturemix 
            takes us back to a mellow 
            bluesy jazz realm, where a colorful acoustic guitar harmonic melody 
            melds with steelpan and electronic keyboards.  
            Culturemix 
            lets 
            us know they can swing with best.  
Next up is Coffee 
            Brown-Olive Green -  
a relaxed piece featuring Guy Barker who is 
            on Trumpet, with a bossa nova feel, while the continued layering of 
trumpet and pan gives a new, intriguing, previously-unheard sound.   
            Black Orchid - a rockin’ jam session amidst the overall 
            cool vibe, which continues on the ultra-soulful title track.  
            Guy Barker's trumpet closes out the track leaving you wishing it was 
            not closing down.
            There and Back - an eclectic piece that  
            demonstrates 
            the storytelling capabilities of Billy Cobham and moreover what 
            Culturemix 
            is about, a combination of great musicians from different 
            parts of the globe.
            The album closes with a snappy funk number,  Red & Yellow 
            Cabriolet. The spirited horn of Barker works as a beautiful 
            counterpoint to Gill's tenor pan R&B-influenced melodic riffs.  
            Of course all this works because there is the master Billy Cobham 
            sitting there in the pocket holding down the fort.
             Colours does not 
            disappoint.  Great work led by one of the true musical giants.
            Culturemix 
            has developed a group sound with a purpose, creating complex arrangements 
            in addition to their improvised solos.  The bottom line is 
            these cats are operating on a high level.
            
            Record Label 
            Website: http://www.billycobham.com 
            
            
            Reviewed by: WST 
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