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Global - Where is the Love?? In less than two
weeks the greatest event and gathering of percussion musicians,
performers and fans in the world will be gathering for the
annual Steelband music panorama competition in the Mecca of
the steelpan instrument Trinidad and Tobago. Panorama,
the most passionate and fierce music competition on earth, is now in its
45th year.
Yet to date no major music, percussion or drum manufacturer
has provided any significant backing or endorsement to any
of the major steel orchestras world wide. No banner
with the name of a major music manufacturer has ever crossed
the stage. This fact is
nauseating and repugnant. Imagine that - ignoring the
single most popular tuned percussion event on the planet.
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Tuned Percussionist on Stage for Panorama |
Were is Yamaha, Pearl, Gretsch, LP Music Group- Latin Percussion,
Ludwig, Paiste, Remo, Sabian, Sonor, Tama, Yamaha and Zildjian? Where is
The Percussive Arts Society
(PAS)? PAS claims that it is a music service organization promoting percussion education, research, performance and appreciation throughout the world.
Who are we kidding? Have they met with Ebony in the
UK, Hells Gate in Antigua, or Peck and New Dimensions in
Grenada, Sonatas and Pantonic in New York, Calypsociation in
France, or Panorama Steelband in Japan just to name a few?
Most of the major music senior VP's,
directors of marketing, and presidents and manufacturers of organizations were seen at the recent four-day NAMM
(National Association of Music Manufacturers) show blowing hot air on
each other rather than being present this week's
preliminaries event in Trinidad and Tobago. These guys
are so far removed from real music and musicians that they
do not know what it is about any more.
Over one million visitors will cross the
When Steel Talks
web site looking to digest every bit of information
on their favorite players, bands and arrangers. Every
aspect of the panorama and its participants will be analyzed
with furor and intensity, that can only compare to that
associated with such as World Cup Soccer or the American
Superbowl. No flagship events those organizations
produce, create a type of excitement and loyalty to outdo
the type generated by this annual music percussion Superbowl
known as Panorama. Again, PAS, who do you represent?
It has been brought to our attention that major drum and
percussion institutions provide massive financial support to
your organization. So, what's up?
Normally, we wouldn't give a hoot what
these stone-aged, recycled, not-ready-for-prime-time
logheads did. However, they will have a heavy presence in
terms of investment by the steelbands in their products.
Every steelband who participates in this competition will
have some piece of music performance equipment or instrument
from one of these music manufacturers on stage at the
Trinidad and Tobago panorama. Zoom out, and globally we are
looking at many thousands of steelpan groups that are users
of these music manufacturers equipment. Are we missing
something here? I don't think so! This is a classic case of
abuse.
These organizations seem to have no
problem supporting events, activities and people all over
the world, some of whom are only masquerading as
percussionists - indeed percussionists who couldn't swim in
a sweat droplet of the average Trinidad and Tobago pan player.
Has anyone seen panorama in the major drum magazines and
percussion magazines? And why is it the panman is not on the
cover of every drum and percussion magazines every February
and March? How can you call yourself an international drum
and percussion organization if you don't know who Smooth,
Boogsie, Samaroo, Professor, Greenidge, Goddard, Kellman,
Austin, Harrigin, Guppy, to name a few, are? These are
people who are known by one name throughout the world.
Well, it's January and a new fiscal year is about to begin
for all these companies and organizations. Let's see what
they do with their new beget. Panorama will be taking place
all over the globe in the coming months. Grammy-award
winning percussionist Ralph MacDonald wrote the song asking
"Where Is The Love," and one can ask that of the so-called,
supposedly premier percussion and drum organizations. And
the late Max Roach, the greatest drummer ever, said, "Pan
belongs on a world stage." So clearly these drum and
percussion organizations are out of touch.
It is time for the steelband to transfer some of that
world-renowned creative and inventive genius, and develop
their own signature drum sets. After all, they
did invent the entire range of steelpan
instruments... Imagine owning a Phase II, Desperadoes or
Renegades drum set made specifically for the steel
orchestra. Cha-ching, cha-ching, cha-ching.
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