It
has only been a few years since
When Steel Talks
jolted the media fraternity and people around the globe
when we utilized the latest technologies to publish the
panorama finals scores for the world, with accompanying
pictures and full stories - before many of the panorama
attendees had even begun to leave the Savannah. We even took the then-veteran
Trinidadian entertainment editor Terry Joseph by utter
surprise, and he remarked in one of his columns 'how
shocked he was after getting home from the Savannah' to
find full coverage, with audio clips, pictures and
articles awaiting him on the internet. That simple
move changed the concept of time in which the world has
become accustomed to having the
results available after the panorama competition. Of course,
now wireless internet access is commonplace even at the
Savannah, and we were occasionally able to publish live from the event
a couple of years later.
Technology again weighed in heavily on this year's
panorama competition. The internet and panorama are now
integrally and forever intertwined. There is
no turning back. The 2007
panorama had at least three local stations
broadcasting with internet feeds. Local radio media
outlets such as i95.5fm (Sterling
Henderson, Gideon Maximin, Roy Edwards)
and WACK FM
(Dr. Jeanine Remy, Ken Harris,
Franka Headley) provided full audio coverage and
analysis, while the event was televised on NCC TV4 &16
(Ruskin Mark, Alvin
Daniels, Orville Wright), the video of which was streamed to the world on TriniTV.net compliments of Jamar
Technologies.
TriniTV
video streaming for 2007 panorama finals
As quietly as it was kept,
Trinidad-based Jamar Technologies unleashed the steelpan
art form's future at this past panorama,
by providing the world that live visual feed of Trinidad
and Tobago's 2007 panorama event, although there were
hiccups and teething issues during the broadcast.
Overall, it was an overwhelmingly successful initiative,
in that, it provided a
limited amount of people around the world with the ability to see and
experience panorama as best the facilities they had at
their disposal, at that time, would allow. Our own
feedback from Jamar Technologies is that there were,
conservatively, no less than two hundred thousand
attempts to log on and access the feed - and this
was with minimal to no promotion, no advance warning.
People were out there searching for a way to experience
panorama via the internet. Due in part to their
limited resources and the constraints under which they
operated, Jamar Technologies was able to realistically
provide streaming video for about forty-five hundred clients who
were successful in logging on. But with all things
impacted on by external factors such as compromise,
bureaucracy, restraints, resources and the fear of
change, Jamar Technologies is experiencing all the
attendant issues that accompany new ventures. But
the vision of Jamar Technologies for pan-related events
is the future, and once again, there is no turning back.
TriniTV
video streaming for 2007 panorama finals
When Steel Talks has become
accustomed to seeing hundreds of thousands of hits in the
wee hours of the morning immediately after panorama,
from people around the world who have come to expect
results, stories, pictures and video clips to be posted
for their perusal. And they expect this to be
accessible almost immediately after the final steelpan
music notes are struck. Similarly, the
expectations of what Jamar Technologies is trying to do,
or has done for the 2007 panorama season, will be there
from now on, and it is coming from a global audience
rightfully expecting new technologies to put them in
direct contact with that experience. This reality
will change all those involved in and having impact on the
panorama structure, i.e. planners, marketing,
and performers. Jamar Technologies has shown that
the technology is available and ready, and the market exists
for this product. The ultimate summary of this
phenomenon, is that people will change their behavior
patterns to accommodate this available technology.
The same way 50 inch-plus big
screen LCD and Plasma TV sets fly off the shelves in
stores as people plan their days and evenings around
the upcoming Super Bowl in the US, people are already
planning to take advantage of the opportunity and
experience provided by such as Jamar Technologies. In a larger setting, much like the
ESPN zone at New York's 42nd Street, similar type facilities
would become sought-after as steelband aficionados
congregate for a wall-to wall-visual and audio
experience on giant screens.
And in step with this
newly-expanded global steelpan audience, Trinidad and
Tobago broadcasters must leave behind the blithe
attitude that they are relating primarily to a local
listenership, and that it is the global audience's
responsibility to make do with whatever they put out.
They are now charged with having a professional demeanor
and a keen understanding of the art form; their delivery
must be intelligent, factual and contain a historical
knowledge base. The pannists in the pan community
have for years been operating on a global level in terms
of the performances / product they deliver. The
local media also has to think in global terms, and
understand the impact of, and be in tune with the
technology as it relates to panorama and pan-related
events, and their role.
New and emerging technologies will
continue to influence and impact pan. With all the
active participants and factors involved the question
becomes: will the pan musicians be in a position to take
advantage of it, or will they be left behind?