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LYRICS |
Verse
1
Every year when I
go to Panorama,
There is Steel Band music for so.
I hear the counter melody,
Between
the tenors and cellos
it is a truly wonderful show!
Verse
2
After all the
effort the players put in,
In the Brooklyn Panorama
They underpay the orchestra,
And
disrespect the band leaders,
And that is hindering the culture!
Chorus
How can the bands
improve
If you can’t pay the
players?
How can the bands improve, you tell
me?
How can the bands improve
When they
can’t pay a tuner?
How can the bands improve, you tell
me?
Something must be done
To compensate everyone,
For what, Pan men put out for
Panorama!
Verse 3
So much money is
made from Panorama
Enough money for everyone
That’s why they need to share the
wealth,
So that we could enjoy we self,
Then we could focus on having fun.
Chorus
Bridge
Pan is such a great innovation
There should be much more -
To give
the Pan man.
Pan fame can’t buy goods in the
store,
That’s why I tell everybody,
Pan music should be worth more!
Verse 4
We all know that Pan is a great
invention
And a gift from the Almighty
The joy it brings is evident,
That’s why the Steel Pan instrument
Should be respected by you and me.
Chorus
(x2)
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“How Can The Bands Improve?”
Gene Toney
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Provided
with the expressed permission
of the composer(s) |
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2013
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Gene Toney
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Gene Toney:
Gene is one of
Trinidad and
Tobago’s foremost
dancers, a
choreographer, and
troupe leader. He
got involved in
dancing around the
time of the twin
island state’s
achievement of
political
independence from
Great Britain in
1962. With the
advent of the Prime
Minister’s Best
Village Competition
in the ’60s, the
Harding Place
Cocorite Youth
Movement was formed,
and Gene embedded
himself in its
artistic life,
particularly dance,
under the leadership
of the now-deceased
Carlton Francis.
Through this
activity, he became
acquainted with some
of Trinidad’s
leading dancers such
as: Jean Coggins,
Julia Edwards, and
Neville Shepherd
with whom Gene
performed and toured
before forming his
own troupe, the
Ujamaa Folk
Performers in 1972.
Under the guidance
of Gene, Ujamaa
toured the
Caribbean, the
United States,
Canada, Venezuela,
and other places,
performing numerous
Caribbean dances
including the Bele,
Pique, Joropo, and
the Limbo. Ujamaa
has won the national
limbo competition on
multiple occasions.
In recent years
Gene, together with
his wife, Rosanna
Toney, has taken his
talents to Brooklyn
New York, and
assisted in the
transmission of the
knowledge and
performance of these
Caribbean dance
forms among the
youth, particularly
those of Caribbean
parentage. He has
worked in the youth
programs of the
Sesame Flyers
organization,
helping to develop
their dance troupe
and artistic
programs in general.
He continues to
share his cultural
gifts by
participation in the
steelband movement,
mas’ making and
performance, and
calypso singing. |
Stephen Reid:
Born
in South East
London, Steve Reid
(pictured with wife
Bernadette above) has been
involved in Pan,
both as a player and
as a band director
for more than
twenty-two years.
It
was after attending
the Notting Hill
Carnival at the age
of nine that he
wanted to join a
Steel Band; in 1989,
that dream became a
reality when he
joined Calvary Steel
Orchestra and two
years later, became
its director.
Steve
has also
collaborated with
Ray Holman and David
‘Happy’ Williams on
a total of six
compositions, which
have yet to be
heard; the songs
range from
gospelypso, to
praise and worship
to contemporary pop
styles.
Steve extends
special thanks to
Ray Holman and
Winsford Devine for
their help with
How
Can The Bands
Improve? -
the track featured
here. |
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