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Trinidad & Tobago Panorama 2013 - HOME

‘Jam Meh’

sung by Franklyn Garcia
music by Anthony “Juggy” Rose
lyrics by Gregory “GB” Ballantyne

arranged by Pelham Goddard

   

 

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LYRICS

Verse 1

Ask them old people they have ah parable
After one time’s two we know that is so true
Well one times come and gone is ah new day that dawn
Is time for ah fresh run ah hot and ah smoking tell them me eh joking everywhere they play music this song go be in the mix
The key to unlock they waist it ent have no hiding place
The rhythm go rock dance destructive just like before

Chorus 1

So jam me with some hot soca when ah pelting meh waist inside the dance super blue we never forget how you mash up the place
Fine like chilli-bibbi fire in your waist them girl going crazy
You whey set the pace in every party around

Verse 2

Ah hearing soca that lacking in flavor is like some young blood
Need the old chalkboard is why some radio today ent really care to play some old tired lavue because they will remember original soca the kind with the special brew maestro, rudder and tambu
Before ridding rhythm start every man played his own part
Now identity is lost so I come to change the course

Chorus 2

So jam me with some hot soca when ah pelting meh waist inside the dance Ronnie mac with his coat and hat mash up the place
Fine like chilli-bibbi fire in your waist them girl going crazy
You whey set the pace in every party around

Verse 3

Music is moving and always improving very dynamic from rhythm to lyric it’s inevitable you go be in trouble stuck in some dead puddle if you’re not innovated your music is dated
Every change does contribute but you must respect your root
When you open ah new door honor those that went before doh just flash and then you gone be as ageless as the dawn

Chorus 3

So jam me with some hot soca when ah pelting meh waist inside the dance
Rikki jai with that jumpy beat mash up the place fine like chilli-bibbi fire yuh waist them girl going crazy rikki set the pace in every party around


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“Jam Meh”
Franklyn “PaPa Zegg” Garcia

Provided with the expressed permission of the composer(s)

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Franklyn Garcia
Franklyn Garcia

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Franklyn “PaPa Zegg” Garcia began playing the Steel Pan instrument over 30 years ago without formal music training. His musical résumé includes performances with Tropical Angel Harps, Pamberi, Claytones, Deltones, Pandemonium, and touring with Silver Stars to Canada and the U.S. The changing tide has taken Garcia to the world-renowned Exodus Steel Orchestra where he is now featured on both lead vocals and the double second pan.

His love of music started at a very young age; he was a well-known house-party DJ for his village, using his mother’s stereo, where he spun continuous records using only one turntable. Singing was also a passion which cleansed his soul when he sang spiritual songs in church. He harmonized with the Curepe Pentecostal Choir under the late Louise McIntosh which opened the door to the recording of his first ‘Pan tune.’

Franklyn Garcia’s life in music has come full circle with new opportunities always presenting themselves. He is sure of just one thing; the passion and the energy he has for singing and playing Pan music will always remain strong!

Edited by C. Phillips

Anthony Rose

Anthony “Juggy” Rose is a gifted panist, arranger, composer and music educator. Hailing originally from St. John’s Road in St. Augustine, Trinidad – the home of Flamingoes’ pan side – Rose embraced the double second pans almost as an extension of himself, from his early teens. Both his father and uncle were founder and captain, respectively, of Flamingoes. Rose has the distinction of being one of Flamingoes’ youngest arrangers at age 16, and with a Grade 8 music theory certificate to his credit Rose successfully straddled the worlds of performance and education. He played with Desperadoes, Exodus and Birdsong steel orchestras and tutored students at various secondary schools.

In 1990 Rose toured Japan, as soloist in a small ensemble. He also attained a partial scholarship to attend Akron University in Ohio, where he pursued undergraduate courses in the Music Education programme, with specialization in percussion instruments and steel pan.

A one-time captain of Exodus Steel Orchestra, Rose currently forms part of the band’s management committee. Rose lists among his finest influences panists Robert Greenidge, Kenrick Headley, Tyrone Noriega and the legendary Len “Boogsie” Sharpe. Further afield it is the likes of Bob James and George Benson who impacted him. “Juggy”, as he is affectionately known, remains a down-to-earth individual who is not about to give up on his ultimate dream – establishing a music school and performance space in the neighbourhood where he grew up.

In Rose’s light and lyrical soloing touch, fans and well-wishers can enjoy his 2013 composition featured here, Jam Meh, with vocals by Franklyn “PaPa Zegg” Garcia.

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