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It’s Absolutely Pan-tastic
Steelpan & many young pan players
take center stage at N.Y. Panorama

Courtesy the NY Daily News                                      
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New York, USA - If celebrated composers such as Bach and Beethoven were alive today and in New York, it would be hard to imagine that they would not be arrangers and composers participating in New York Panorama.

This coming Saturday, the massive steel orchestras — with hundreds of instruments and upwards of 100 players each — will literally roll onto the Brooklyn Museum grounds to participate in the annual New York steelband music Panorama contest. In tow, ensnared in a musical bond, will be thousands of fans, enthusiasts and supporters from the world over.

The event is held annually in New York as part of the five-day West Indian Carnival and Parade, and will take place this year on Sept. 5 starting at 8 p.m. Panorama remains the biggest draw of the events sponsored by the West Indian American Day Carnival Association during pre-Labor day festivities.

What is Panorama? At its most basic definition, it’s simply a distinguished steelband music competition, and much more than a singular occurrence. It is an experience — one inextricably interwoven with the human spirit’s essence to define oneself, survive, conquer its environment, showcase genius, progress and validate its humanity while aspiring to communal greatness.

Panorama is the most significant New York performing arts medium in the last 50 years, bar none. On paper, this 10-minute musical performance of the competing bands calls for the execution of a series of dexterous, imaginative innovations demonstrating top musicianship.

In reality, it is a creative exhibition that must connect with some of the most demanding critics, while simultaneously housing and propelling a community’s dreams and commitment.

Ten minutes of distinction, fame, attention. Ten minutes annually — to sum up the sacrifices, work and efforts of a season, community and each individual involved.

It’s truly an exhilarating experience for competitors and spectators alike, and few events can match Panorama’s intensity, pageantry and creativity.

It is magnificently elegant, Olympic-styled in competitiveness, drama, tension — with the fervent loyalty of a Super Bowl-styled fan base where the euphoria of performing live is supreme.

It’s the thrill of victory, the agony of defeat and more.

One might expect to simply get a Caribbean experience from the event, but a further look reveals a deeper introspective. New York Panorama can be more accurately characterized as another facet of America’s performing arts and psyche, richly reflective of the nation’s immigrant history, but primarily expressive of the impact of Caribbean culture.

There are panorama competitions all over the globe, but New York’s is unique, with decades of intrigue, history and tradition. Legendary jazz great Max Roach, well-acquainted with the steel orchestra after experiencing Panorama live, said that the steelpan instrument belonged on a “world stage.”

In New York’s Panorama, participants, fans and organizations have put themselves on a path to accomplish just that by creating an esteemed position for the unique Caribbean art form in the city.

The Panorama musical phenomenon has done much popularize the steel orchestra in the U.S., particularly among the youth. Given the contentious disconnect and often hostile environment that is New York for steelbands, it is astonishing the culture has survived, maintaining, and even increasing, its distinction.

Darius Gamory, 15 (pictured right), is a member of the Pantonic Steel Orchestra, playing for three years.

“Nothing compares to pan. I feel great!” declared Darius, who this year is heading for his third Panorama competition.

Many Panorama players have developed into career musicians; several New York Panorama youngsters are pursing music college degrees.

Then-18-year-old musician extraordinaire André White, who lead ADLIB Steel Orchestra  to its first Panorama victory in 2008 (the youngest to ever achieve such a feat), is now a full-time student at the prestigious Berklee College of Music.

New York’s steelband panorama is truly an American experience with authentic Trinidad-Caribbean origins; it is high culture.

Ultimately, New York Panorama is a love affair between participants and fans bordering on “madness” when one considers the mind-boggling outlay in finances, energy and emotion.

It is a positive obsession that continues to elevate New York’s artistic and cultural platform.


 

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